TV music licensing tricks? Monetising Your Music! According to a report by BPI, music sync licensing accounted for 6.6% of industry revenue in 2019. That may not sound like a lot, but consider this… IFPI’s annual Global Music Report shows total revenues for 2018 reached $19.1 billion US dollars. That equates to a whopping $1.146 billion dollars (a growth of 11% from 2017) in potential annual earnings up for grabs in the sync music sector!
Music supervisors, app developers, and producers will always gravitate towards clean, concise, organized pitches and EPKs. Be sure to have a place on your website, or an embed in your EPK that allows music supervisors to strum through your catalog quickly. It may even be smart to set up a microsite or a new EPK just for your work that you want to try and get licensed. Another huge part of your marketing that’s overlooked is the metadata. When you get to the point of sending MP3s out to licensing executives, make sure clear meta tags such as genre, year, publisher, and artist are embedded in your tracks. It makes supervisors’ lives a lot easier, as you’re helping them stay organized.
I earn monthly revenue from my Content ID. What is the benefit of turning it off to license my song? On average youtube monetization for 1000 youtube views ranges from 0.5 to 2 USD based on the location of viewers and the target audience. The numbers vary a lot, but most channels get 0.5 USD per 1000 views. It takes a significant amount of views to earn a substantially consistent monetary return. Essentially your music is working harder as opposed to working smarter. In comparison, our musicians are compensated at a more competitive rate for less work. Our payout for one of our most basic licenses pays at a rate that is 8.4% higher in comparison. Read extra details at music licensing.
Rhythm Couture artists questions and answers: When did you start in the music industry, and what type of music do you create? My name is Yeya. I was born in Massachusetts, and I moved to Los Angeles 3 years ago to pursue music. I have a background in musical theatre, where I learned to sing, but I started writing my own music after I graduated high school in 2014. Then in 2018, I began taking production classes and learning how to use Ableton. I love to create pop, EDM, R&B and rap. I don’t really think about a genre when I begin production on a song, I just create something I love and choose the label later. This results in a lot of tracks that blur the genre line and take my favorite aspects from each type of music. What upcoming projects are you working on, and any last words for the Rhythm Couture audience? I’m currently working on my EP, Monarch. We’re releasing each song one at a time, and I’m really amped up for this project! Also, if you’re curious about me or my music, check me out on any streaming platform and follow on IG @Yeyamusic. Thanks!
RhythmCouture Recording Studios: two locations based in New York and Vermont. We proffer expertise in music licensing and musical solutions across all multimedia platforms. Kyle Hunter and Robert Ronci, Co-Owners, have paired their formidable musical repertoires and talent affiliations from around the globe to bring a distinctive differentiation to the music product placement space. Our range of clients include Calvin Klein, Les Mills, The New York Times, Vans, Forever 21, Marie Claire + more. See more details at here.