Most read entertainment news portals today: For a certain type of moviegoer, any film where Nicolas Cage says the word “alpacas” multiple times is worth seeking out. Luckily, Color Out of Space, a psychedelic adaptation of H.P. Lovecraft’s short story from 1927, offers more than just furry animals and unhinged Cage theatrics. Mixing hints of science-fiction intrigue and bursts horror movie excess, along with a couple splashes of stoner-friendly comedy, Richard Stanley’s proudly weird B-movie vibrates on its own peculiar frequency. Cage’s Nathan, a chatty farmer with a loving wife (Joely Richardson) and a pair of mildly rebellious kids, must contend with a meteoroid that crashes in his front yard, shooting purple light all over his property and infecting the local water supply. Is it some space invader? A demonic spirit? A biological force indiscriminately wreaking havoc on the fabric of reality itself? The squishy unknowability of the evil is precisely the point, and Stanley melds Evil Dead-like gore showdowns with Pink Floyd laser light freak-outs to thrilling effect, achieving a moving and disquieting type of genre alchemy that should appeal to fans of Cage’s out-there turn in the similarly odd hybrid Mandy. Again, you’ll know if this is in your wheelhouse or not. Discover extra information on entertainment.
A few words on streaming services : Hulu offers many cable TV shows. For fans of animation, there’s Archer, Adventure Time, Bob’s Burgers, and Futurama. Drama shows include Bones, Killing Eve, The Orville, and The X-Files. Comedy fans can watch 30 Rock, Broad City, Brooklyn Nine-Nine, Letterkenny, Malcolm in the Middle, Scrubs, and Seinfeld. Note that Parks and Recreation has left for NBC’s Peacock and Seinfeld is going to Netflix in 2021. The good news is that Hulu’s FX hub is live. FX shows such as A Teacher and The Old Man, Devs, and Mrs. America exclusively stream on Hulu. Full seasons of past FX shows, including Archer, Atlanta, Better Things, It’s Always Sunny in Philadelphia, Justified, and Snowfall live there, too. You can stay on top of what’s available with PCMag’s monthly guide to what’s arriving on Hulu. Like Netflix and Amazon, Hulu also creates original content. While its offerings have typically been a mixed bag and many shows don’t get renewed, its track record is trending upward. Some of Hulu’s best original releases include Castle Rock, Harlots, Helstrom, High Fidelity, Little Fires Everywhere, Marvel’s Runaways, The Handmaid’s Tale, and Veronica Mars. Ramy and The Act both won Golden Globe awards. Hulu is also one of our picks for the best video streaming services for celebrating Black art.
Steve Coogan and Rob Brydon follow the path first traversed by Odysseus in The Trip To Greece, once again engaging in the witty banter and dueling celebrity impressions that have become the hallmark of this Michael Winterbottom-stewarded comedy series. For this fourth and ostensibly final installment, the bickering couple (Coogan arrogant and condescending; Brydon cheery and patient) enjoy fine meals and show off their imitative vocal skills, here highlighted by Coogan doing a pitch-perfect Ray Winstone as King Henry VIII. In keeping with its predecessors, the duo’s latest colors its humor with a strain of wistful regret rooted in their thorny feelings about transitioning into middle age. Anxiety about mortality turns out to be more pronounced than ever, particularly via Coogan’s Ingmar Bergman-esque dream sequence, which is related to dismay over his father’s failing health. Nonetheless, the alternately combative and chummy English pair remain in fine, funny form, and their swan song proves to be their most substantive collaboration since their maiden outing.
Ben Affleck gets one of his greatest (and most personally resonant) roles as an alcoholic former high-school basketball star who gets a chance at redemption when he’s hired to coach his alma mater’s hopeless hoops team. This could easily become mired in clichés, but director Gavin O’Connor and writer Brad Ingelsby strike a fine balance between delivering the promised underdog sports drama and presenting a portrait of trauma and grief that resists easy solutions. At the center of it all is the star’s tense, restrained performance as an emotionally distant man whose considerable demons can’t really be vanquished with a few wins. Discover more details at entertainment news.
The darkness is all-consuming, as is despair over a lost past and future, and a purgatorial present, in Vitalina Varela, Pedro Costa’s aesthetically ravishing true tale of its protagonist, a Cape Verde resident who returns to Portugal mere days after her estranged husband’s death. Vitalina wanders through this dilapidated and gloomy environment, which Costa shoots almost exclusively at night, the better to conjure a sense of ghosts navigating a dreamscape of sorrow, suffering and disconnection. Each of the director’s images is more ravishing than the next, and their beauty – along with an enveloping soundscape of squeaking beds, sheets blowing in the wind, and rain pattering on crumbling roofs – is enchanting. Presenting its story through fractured plotting and dreamy monologues, the Portuguese master’s latest is a series of tableaus of lovelorn grief concerning not only Vitalina but also an aged priest in spiritual crisis and another young man poised to endure his own tragedy. The film’s formal grandeur – its compositional precision, and painterly interplay of light and dark – is overwhelming, as is the majestic presence of Vitalina herself.